Last edited by Peter Lang
20.07.2021 | History

4 edition of George Gershwins Concerto in F found in the catalog.

George Gershwins Concerto in F

ein amerikanisches Klavierkonzert?!

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      • Originally presented as authors dissertation (doctoral)--Universität, Karlsruhe, 2007.Includes bibliographical references (p. 457-480) and discography (p. 481-483)

        StatementPeter Lang
        PublishersPeter Lang
        Classifications
        LC Classifications2009
        The Physical Object
        Paginationxvi, 74 p. :
        Number of Pages56
        ID Numbers
        ISBN 10nodata
        Series
        1
        2Karlsruher Beiträge zur Musikwissenschaft -- Bd. 10
        3

        nodata File Size: 5MB.


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George Gershwins Concerto in F by Peter Lang Download PDF EPUB FB2


After the climax, Gershwin combines Charleston, pentatonic melody and fast-paced triplets to from one key to another before reintroducing another sultry variation in D-Flat major. I have her Brahms recordings and find her sense of expression, control of dynamics, and most importantly, warmth, unmatched by any other at the instrument. After an extended orchestral introduction, the piano enters with a solo section, introducing another melody found throughout the movement.

Piano Concerto in F

He began the two-piano score on July 22, after returning from a trip toand the original drafts were entitled "New York Concerto". " It was performed first in December, 1925, with Gershwin at the piano and Mr. She is a good deal more Rachmaninov than jazz baby, and it works because her charisma is so potent. A blues chord progression opens the movement, and a solo trumpet plays the first blues theme.

The Concerto in F came at a propitious time.

George Gershwin, Maurice Ravel, David Zinman, Baltimore Symphony Orchestra, Helene Grimaud

Gershwin clearly viewed himself not as a modernist but as a traditionalist. What really impresses me about their Gershwin account is that Grimaud and Zinman are so successful where the composer probably wasn't. Customer Reviews: There's a delightful sense of ebullience about this CD, which pairs two works that straddle the fence between jazz and classical.

From here, the music alternates with contrasting sections of grandiosity and delicacy.